During this prolific period, they released several projects that defined the "Dark Trap" genre. Essential listening includes: A fan favorite featuring "Clouds as Witnesses." My Liver Will Handle What My Heart Can't Includes their viral hit "Kill Your$elf (Part III)". Eternal Grey
I Want to Die in New Orleans (2018), Long Term Effects of Suffering (2021), Sing Me a Lullaby, My Sweet Temptation (2022), New World Depression (2024), Thy Kingdom Come (2025) Suicideboys Discography
The discography of u i c i d e b o y is extensive, characterized by a massive volume of EPs (often released as sagas) alongside their studio albums and mixtapes. All of their music is released under their own label, G*59 Records Studio Albums I Want to Die in New Orleans Long Term Effects of Suffering Sing Me a Lullaby, My Sweet Temptation New World Depression Thy Will Be Done Major Mixtapes 7th or St. Tammany YungDeathLilLife High Tide in the Snake's Nest My Liver Will Handle What My Heart Can't Now the Moon's Rising Dark Side of the Clouds Eternal Grey Stop Staring at the Shadows Collaborative EPs Black $uicide During this prolific period, they released several projects
Lead single “Not Even Ghosts Are This Empty” is classic $B—paranoid and violent—but the deep cuts like “The Thin Grey Line” exhibit a wisdom that only comes from surviving 15 years of self-destruction. It debuted at #5 on the Billboard 200. All of their music is released under their
In an era where streaming algorithms favor polished hooks and radio-friendly lengths, $uicideboy$ built a pyramid of filth, faith, and fury from the gutters of New Orleans’ 7th Ward. Since 2014, the cousins have released a staggering volume of work—over 60 projects—without ever signing to a major label. What emerges from the noise is not just a discography, but a
: Released in 2017, featuring more refined production and experimental structures. Mixtapes and EPs
Don’t let the title fool you. This is their most pop-adjacent record (relative to them). Managed to debut at #8 on the Billboard 200 without radio play. Tracks like “…And to Those I Love, Thanks for Sticking Around” serve as a soft outro to their “dark era.” It’s an album about the numbness of sobriety—which is somehow heavier than the chaos.