As they moved deeper, the air grew thick with the smell of decay and ancient musk. They found walls lined with hieroglyphs that told a story older than the Pharaohs—a story of the leaking into the Earth. Then came the floor traps. Then came the scratching in the walls.

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The film is stylistically hybrid. While it starts as a strictly found-footage movie—utilizing documentary-style cameras and headgear—it eventually transitions into a more traditional cinematic perspective. This shift is often criticized for breaking immersion, but it allows the director to capture the scale of the pyramid’s interior and the creature effects that a shaky, handheld camera might obscure. The setting itself acts as a character; the crumbling floors, sand traps, and narrow vents create a palpable sense of dread.