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For a film set almost entirely inside a steel tube, the visual storytelling is astounding. The cinematography by R. Madhie captures the claustrophobia of submarine warfare perfectly. The use of lighting—stark, shadowy, and often red during emergencies—enhances the feeling of impending doom.

as they intercept the PNS Ghazi, which was on a secret mission to destroy the Indian aircraft carrier INS Vikrant hdhub4u the ghazi attack work

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