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Arul, 24, hasn’t slept in two days. His final film project is due, but every reference clip he needs — old Rajini mannerisms, a specific B-roll of 90s Madurai, an obscure Balu Mahendra framing — is behind paywalls or scrubbed by the new Cinematic Purity Act. The government says it’s to “preserve culture,” but everyone knows it’s about control.

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