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Jankovics turns the Annunciation into a time-traveling nightmare. Mary says "Wait," and Lucifer shows her every war, betrayal, and industrial wasteland of history. The rotoscoping is haunting; the charcoal textures look like they are burning off the screen. It is slow, pretentious, and utterly brilliant. Does it respect Christianity? No. Does it understand the weight of Christian symbolism better than most priests? Absolutely.

As the film progresses through the Old Testament—Cain and Abel, Abraham and Isaac—it becomes a study of systemic violence. The most harrowing sequence involves Abraham’s sacrifice. The child actors portraying Abraham and Isaac are disturbingly convincing. The tension is not undercut by their age; if anything, it is heightened. The obedience of Isaac, a child trusting a child, mirrors the terrifying obedience of soldiers to dictators.