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We utilize David Bordwell’s concept of "historical poetics" to examine how Mosfilm’s films were constructed for specific cognitive and emotional effects under material constraints (film stock shortages, censorship). Additionally, we employ Mikhail Bakhtin’s "dialogism" to understand how films like Battleship Potemkin (1925) engage in a dialogue with the state, even when ostensibly supporting it.

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Based on user engagement, views, and social media shares, here is the list for the current month. These films represent the best of what you should watch tonight. These films represent the best of what you

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These films are frequently cited in global rankings of the greatest cinema ever made. Gateway to Russia Moscow Does Not Believe in Tears