This has none of that. It has the analog warmth without the ritual of flipping a record. You hear the master tape’s hiss (which is a good thing—it proves no noise reduction was used) and the rustle of Jimmy Cobb’s brushes with terrifying clarity.

: Sourced from high-resolution DSD masters, this version offers a "window-on-the-world" breadth that places you directly in the studio with the sextet.

To actually hear the benefit of 24/96:

It bridges the gap between the convenience of digital files and the warmth of the original analog tape.

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