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The problem is compounded by a lack of decision-making power.
The early 2000s exemplified this crisis. Actresses like Susan Sarandon (born 1946) and Meryl Streep (born 1949) worked consistently, but they often did so as anomalies. The archetypes available were limited to the desperate divorcée (Diane Keaton in Something’s Gotta Give , 2003) or the predatory cougar (Stifler’s mom in American Pie , 1999). These roles were reactive, defined by their relationship to younger men or the loss of their fertility, rather than by internal agency. milf hunter nadia night spread um best