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| Chapter / Section (typical) | Core Topics | Why it matters for musicians | |------------------------------|-------------|------------------------------| | | Concept of tonic‑dominant‑subdominant, tonal centers, functional roles of chords. | Sets the conceptual framework for analyzing and creating tonal music. | | Construcción de acordes | Triads, seventh chords, extensions (9‑13), altered chords, voice‑leading basics. | Gives the palette of sounds you’ll use when arranging or improvising. | | Progresiones típicas | Cadencias perfectas, imperfectas, plagal, y “turnarounds”. | Shows how functional harmony creates tension and resolution in popular, jazz, and classical styles. | | Modulación y rearmonización | Pivot chords, secondary dominants, tonicizations, chromatic modulation. | Teaches how to move smoothly between keys—essential for songwriting and soloing. | | Armonía en la práctica de la guitarra | Voicings for six‑string guitar, drop‑2/3, open‑string voicings, comping patterns. | Directly applicable to players who want to apply theory at the instrument. | | Análisis de repertorio | Examples from standards (e.g., “Autumn Leaves”, “Blue Bossa”), Latin, rock, pop. | Demonstrates theory in real‑world music, reinforcing learning. | | Ejercicios y estudios | Voice‑leading drills, reharmonization tasks, harmonic dictation. | Provides a hands‑on way to internalize concepts. |

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