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She checked her watch. It was almost 10:30 a.m., the exact time the director, Julian Vega, liked to start his backroom sessions. He was known for his unorthodox methods, preferring intimate, low‑key settings over grand casting halls. He believed that a cramped space could strip away the performance anxiety that bloomed in bright lights and massive audiences. Scarlett had read about him, seen his work— Midnight Sonata and Dust on the Wind —and felt an odd mix of excitement and nerves. backroomcastingcouch scarlett a beautiful day

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"I'm not interested," she said, her voice firm. "I'm here to act, not to...whatever it is you're suggesting." It was almost 10:30 a