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The Karnataka film industry, colloquially known as "Sandalwood," has long been a cultural touchstone for Kannada audiences. However, in recent years, its cinematic narratives and visual aesthetics have come under scrutiny, particularly regarding the portrayal of female fashion. This paper examines the phenomenon of "fake fashion" and the curated "style gallery" of Sandalwood heroines, exploring how these trends reflect and critique broader societal values, materialism, and the intersection of media and consumer culture.

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A popular lead from KGF fame. Original photo: A paparazzi shot of her leaving a gym in Mumbai, looking tired in joggers. Fake version: She is standing on the Cannes red carpet (background cloned from a 2018 photo), wearing a neon green Zuhair Murad gown with a 12-foot train. The lighting on her face is from a different continent. The comments say, “Queen of fashion!” No one notices the missing shadow. A popular figure for white floral saree looks

Before AI, the "fake fashion gallery" was dominated by morphed images. Fake version: She is standing on the Cannes