David Holmes’s acid-jazz, breakbeat soundtrack is the trilogy's subconscious. The music doesn't just accompany the crime work; it is the rhythm of the crime work—the syncopation of a distraction, the bass drop of a vault door opening.

: A "return to form" that ditches romantic subplots for a revenge story. Instead of a traditional robbery, the crew rigs an entire casino to ensure every gambler wins big, bankrupting the villain. Intriguing Behind-the-Scenes Facts