Though set partly in London, the film’s most memorable sequences unfold in Naples. Brass, a lifelong lover of the city’s raw, theatrical energy, uses Naples as a character — its narrow alleys, its seaside, its unguarded sensuality. The cinematography by Massimo Di Venanzo is glossy and warm, favoring the female posterior in extreme close-up (Brass’s famous “fondo in su” or “from below” angle). Critics have debated whether his camera is celebratory or objectifying; Brass himself always insisted he films the female body as a director who worships women, not as a voyeur.
A focus on "profound" curves and the celebration of the female derrière, framed through mirrors and wide-angle lenses [3, 6]. Visual Style: trasgredire cheeky tinto brass 2000 tras