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Swinton’s Isabella is the "best" iteration of the young libertine because she destroys the archetype’s original sin: misogyny. The classic libertine (Valmont in Les Liaisons Dangereuses ) uses women as conquests. Swinton’s Isabella uses the state. She learns that the only way to defeat a patriarchal monarchy is to become a colder, more cunning version of it. She does not seek sexual freedom (she already has that in secret); she seeks . Her libertinism is surgical: she seduces Mortimer (Nigel Terry) not for passion, but to wield him as a weapon. When she discards him, she proves that the ultimate libertine act is not dying for love, but killing for power—and then walking away unbothered.

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The impact of her content on her audience can vary widely. While some may find her message empowering and a catalyst for positive change, others might interpret it as dismissive of important social considerations. Swinton’s Isabella is the "best" iteration of the